4th of July – Carl Broemel

Indie Folk/Indie Rock

If albums were seasons Carl Broemel’s 4th of July would be summer. This album is a great candidate for your sitting by the pool, relaxing, drinking a beer chill-out album of the summer this year. While the holiday weekend may be a bit off I thought this would be a great album to write about on this beautiful Memorial Day weekend. Carl Bromel’s 4th of July is a stunning album that you may have missed last year and should be added to your summer song playlist immediately.

When most people hear the name My Morning Jacket they may be reminded of frontman Jim James. This is for a good reason given Jim’s adept vocal and instrumental ability. This being said, lead guitarist and multi-instrumentalist Carl Broemel is easily one of the most talented people on MMJ’s roster and the rock scene as a whole nowadays. Upon listening to Carl’s solo work it is easy to hear his large influence and contribution to MMJ’s music. Carl’s solo work strays from MMJ’s and favors a laid back folk approach that features Carl’s instrumental abilities in a large way.

4th of July is the third solo release from the Indianapolis born, Louisville based musician. Unlike many musicians in today’s musical landscape Carl is classically trained and proficient not only on guitar but also saxophone and pedal steel among other instruments. Carl’s broad ranging instrumental skills can be heard loud and clear on 4th of July even if they are not the most excited renditions we are used to hearing on the MMJ records.

4th of July is reminiscent of a summertime daydream and can be that perfect album to help you detach from any stress in life that may be plaguing you. After all, the album does start with a track entitled Sleepy Lagoon. The album is fairly short with only eight tracks although two of which do exceed the seven minute mark.

The title track 4th of July is a main attraction on the album and is also the longest spanning over ten minutes in length. The track is dreamy and detached and is the one song on the album that highlights Carl’s instrumental approach the best. The track starts off as relaxed as most on the album but quickly transforms into something more engaging and eventually tapers off slowly with Carl’s mystifying guitar work. This track will remind you of Carl’s influence on MMJ’s sound with its similarly entrancing sound.

One of my personal favorites off 4th is Rockingchair Dancer a four minute drifting berceuse who’s lyrics discuss the realities of aging. Try not to fall asleep but if you do it will be a nice way to drift off. Lyrically the track Snowflake is the highlight off the record. The lyrics are innocent and features lines such as Every raindrop’s the same, you’re no snowflake. It’s a nice and simple song and sometimes that is welcome on a relaxing day.

I highly recommend giving Carl Broemel’s 4th of July a listen. For those of you who are looking for an unwinding album for the summer months look no further than 4th of July. Carl is a main contributor to the big sound of My Morning Jacket and that is easy to hear in his solo work. From exciting guitar solos to mystifying saxophone to country pedal steel melodies there is a lot to like about Carl Broemel’s musical ability. My only request is that on his next release we get a longer record. I could use another four tracks in addition to the existing eight on this record. Carl should take that as a compliment!

See you next week.

Pure Comedy – Father John Misty

Indie Folk

Last week Father John Misty released his newest LP entitled Pure Comedy. Father John Misty fans (including most of my friends and I) have been eagerly waiting for this release since 2015’s I Love You, Honeybear. It should be noted that while I am eager to write about this album this week I have only listened to it a few times at this point. While the album is still settling in for me I have to say that I really like it so far. FJM continues to produce great work.

My initial impression is that this album as a whole is very much a continuation of the style we saw in the song Bored in the USA (track 9 of I Love You, Honeybear) almost as if that song was a primer for this album. We see a continuation of the slower pace ballads accompanied by piano, guitar, Tillman’s outstanding vocals and cynical and satirical personality. It’s this persona that FJM fans have watched develop over the past years that sets his music apart. It may sound drab but honestly it’s entertaining as hell.

This is FJM’s biggest project yet racking in at 13 songs and 1hr and 14min. The pace of this album is quite a bit slower than his past releases and, as my cousin pointed out, some of the songs tend to blend together upon first listen. This being said, don’t leave with the impression that the songs are not varied or unique, it’s just that there is an overall tempo to this album that holds firm. The one exception to this would be the track Total Entertainment Forever which is more upbeat.

The album opens with the self-titled Pure Comedy and this song is a great intro to the album. The song exemplifies FJM’s persona perfectly by delivering a twisted view of humanity over piano and drums. Total Entertainment Forever is next and is the very song that was the subject of scrutiny after FJM’s appearance on SNL. The song opens with the controversial lyrics “bedding Taylor Swift every night inside the Oculus Rift, after mister and the missus finish dinner and the dishes” of course referring to having virtual sex with Taylor Swift using the virtual reality platform Oculus Rift. This song is upbeat, features great instrumentals including saxophone and is currently my favorite song off the album.

One song that I did not hear until release was A Bigger Paper Bag. This song has been growing on me and is creeping towards the top of the ranks for my favorite songs off the album. Ballad of a Dying Man is maybe the most interesting song here. This song tells the story of an old dying man that remains analytical and critical of people up until his very last breath. We also have Leaving LA which is a mammoth thirteen minute and twelve second song that critiques “LA hipsters and their bullshit bands” (lyrics changed from Pitchfork bands on the album release for some reason) among many other entertaining points.

I feel that this FJM album was worth the wait. Sure the album is a bit different than his prior releases (mainly in the consistent downtempo pace and critical tone) but I really feel that through his lyrics and music Tillman is giving us his most honest FJM yet. How do I think this album stacks up against his other releases? Ask me in a few months and I’ll tell you. Is this album worth your time? Yes it is.

See you next week.