Vollmilch EP – Vulfpeck

Funk

It is rare to hear real funk music anymore. Funk still exists but has either retreated into the shadows or blended with other genres to create something of an offshoot. Vulfpeck is relatively new to the music scene but is working in a large way to revive the funk of old; the music that is impossible not to dance to; the music that excites the soul and energizes the mind. Count me in.

This week I am reviewing Vulfpeck’s first effort: Vollmilch EP. While this album is absent of any vocals it largely succeeds in both replicating and perpetuating funk music. Vulfpeck is reminiscent of a true funk rhythm section and features a four-member lineup playing piano, Wurlitzer piano, synthesizer, drums, percussion, pocket piano, bass, saxophone, Moog and more. Vulfpeck’s strength lies in their ability to create modern and provoking grooves that never seem to lose their momentum.

Vulfpeck was conceived as a tribute to old-time rhythm sections from an era of funk, in the 1960’s and 1970’, that has long since passed. They decided to add a German persona to the band thus the name Vulfpeck. In a sense, Vulfpeck is attempting to revive interest in a lost era of funk for a new generation and it seems to be working. Vulfpeck has garnered a good deal of attention as of recent, especially through their live performances. This is what excites me most about Vulfpeck.

I feel that Vulfpeck’s music is ultimately destined for the stage. While I have yet to see them live, I have been hearing good things. I view Vulfpeck as a similar act to Galactic (the New Orleans Jazz-Funk Jam Band). While Galactic’s recorded music is fun to listen to, their strength lies in their ability to perform live. They tour constantly, hitting many music festivals in the summer, and play instrumentals behind a diverse cast of rotating guest singers. Their music is spectacular live, fun to dance to, and no two shows are the same. Vulfpeck seems to be on a similar path which is welcome in my book. We need more of these bands.

Vollmilch is an EP so it is a bit shorter than a full album. The record clocks in at 6 songs and 26 minutes. Vollmilch starts with the intro Outro. Yep… This track opens the album with a bang and was my first exposure to the group. You instantly get smacked in the face with an irresistible funky rhythm featuring piano, drums, bass, and sax. Next up is A Walk to Remember, a swingy-soulful tune with a funky-as-hell bass line.

Adrienne & Adrianne is track three on the album and identifies Vulfpeck’s ability to play their instruments in a way that highlights each of their individual skills while never overshadowing. You would think that the piano keys would fly off the piano on the chorus of this track. The album has three tracks to follow but I will let you explore those on your own.

Every track on Vulfpeck’s Vollmilch is a keeper. Vulfpeck’s first attempt at recorded music makes it clear that they have the kinetic ability to connect with one another. I believe this talent will be exemplified through their live performances. I should mention that this EP was released in 2012 and Vulfpeck has released a few full-length albums since then including the newly released The Beautiful Game. So go ahead and check them out. If you are a fan of funk in any shape or form Vulfpeck deserves a listen. You will be glad you did.

See you next week.

Run the Jewels 3 – Run the Jewels

Rap

Many rappers in the modern rap scene have found success rapping over intricately produced beats. Many find their own style or flow and engineer their beats to complement their vocal delivery. With Run the Jewels the rapping, lyrics, and flow are the beat. They become part of the rhythm just as much as the beats themselves. Every single song on Run the Jewels 3 flows with such precision it’s hard to find an imperfection anywhere on the album. With their third release, Killer Mike and El-P further affirm the fact that RTJ was meant to be. These two complement each other perfectly and when it works (which is quite often) it works very well.

RTJ3 is reminiscent of a simpler time in rap. A time when rappers rapped and MC’s MC’d. No fluff, no fucking autotune, no mindless unexciting beats; just down-to-it rapping. Yet, RTJ still manage to deliver a modern sounding album that sets itself apart from the rest of the crowd. RTJ is truly a unique act.

The beats and the rapping on RTJ3 are ferocious and exciting. If you are looking for a great workout album or a Friday night before hitting the town album this is it. The tempo changes from song to song but the merciless tone never subsides. The lyrics are also very entertaining. There is an abundance of aggressive, funny, light-hearted, and culturally relevant moments on RTJ3. I have had plenty of moments where I thought what the hell did he just say? It’s fun; trust me.

There is some really cool collaboration on RTJ3 as well. Danny Brown, Joi, BOOTS, and more can all be found here. I was really hoping they would have Big Boi back for another appearance after his guest spot on RTJ1, but hey I can’t ask for too much can I? All of the collaborations work well on their respective tracks and never do they overshadow RTJ themselves.

RTJ3 is a nice sized album with 14 songs at 51 minutes. I think the album feels longer than it actually is given the constant excitement. You won’t be drifting off listening to this album. What is additionally exciting is that this album, along with their past two releases, should make for a good live performance. I really look forward to seeing RTJ live on stage.

RTJ3 is yet another acclaimed effort by the supergroup duo. At this point it is hard to imagine the pair releasing anything less. The album is ferocious, exciting, and respectful to rap’s roots while still pushing the envelope. It is hard to find a bad song on the album. I can’t find one I don’t like. I don’t think it’s a great album for every mood or situation but when you are in the mood to have a good time or get hyped up this album is perfect. Also, feel free to blast it in your car with the windows down like I do; It’s one of those records.

See you next week.

4th of July – Carl Broemel

Indie Folk/Indie Rock

If albums were seasons Carl Broemel’s 4th of July would be summer. This album is a great candidate for your sitting by the pool, relaxing, drinking a beer chill-out album of the summer this year. While the holiday weekend may be a bit off I thought this would be a great album to write about on this beautiful Memorial Day weekend. Carl Bromel’s 4th of July is a stunning album that you may have missed last year and should be added to your summer song playlist immediately.

When most people hear the name My Morning Jacket they may be reminded of frontman Jim James. This is for a good reason given Jim’s adept vocal and instrumental ability. This being said, lead guitarist and multi-instrumentalist Carl Broemel is easily one of the most talented people on MMJ’s roster and the rock scene as a whole nowadays. Upon listening to Carl’s solo work it is easy to hear his large influence and contribution to MMJ’s music. Carl’s solo work strays from MMJ’s and favors a laid back folk approach that features Carl’s instrumental abilities in a large way.

4th of July is the third solo release from the Indianapolis born, Louisville based musician. Unlike many musicians in today’s musical landscape Carl is classically trained and proficient not only on guitar but also saxophone and pedal steel among other instruments. Carl’s broad ranging instrumental skills can be heard loud and clear on 4th of July even if they are not the most excited renditions we are used to hearing on the MMJ records.

4th of July is reminiscent of a summertime daydream and can be that perfect album to help you detach from any stress in life that may be plaguing you. After all, the album does start with a track entitled Sleepy Lagoon. The album is fairly short with only eight tracks although two of which do exceed the seven minute mark.

The title track 4th of July is a main attraction on the album and is also the longest spanning over ten minutes in length. The track is dreamy and detached and is the one song on the album that highlights Carl’s instrumental approach the best. The track starts off as relaxed as most on the album but quickly transforms into something more engaging and eventually tapers off slowly with Carl’s mystifying guitar work. This track will remind you of Carl’s influence on MMJ’s sound with its similarly entrancing sound.

One of my personal favorites off 4th is Rockingchair Dancer a four minute drifting berceuse who’s lyrics discuss the realities of aging. Try not to fall asleep but if you do it will be a nice way to drift off. Lyrically the track Snowflake is the highlight off the record. The lyrics are innocent and features lines such as Every raindrop’s the same, you’re no snowflake. It’s a nice and simple song and sometimes that is welcome on a relaxing day.

I highly recommend giving Carl Broemel’s 4th of July a listen. For those of you who are looking for an unwinding album for the summer months look no further than 4th of July. Carl is a main contributor to the big sound of My Morning Jacket and that is easy to hear in his solo work. From exciting guitar solos to mystifying saxophone to country pedal steel melodies there is a lot to like about Carl Broemel’s musical ability. My only request is that on his next release we get a longer record. I could use another four tracks in addition to the existing eight on this record. Carl should take that as a compliment!

See you next week.

Time Fades Away – Neil Young

Classic Rock

In Neil Young’s entire massive library of music there may be no album with more history and significance behind it than 1973’s Time Fades Away; an album that many people, including some of Young’s fans, may have never even heard of. What we have here is a sometimes dark, always sincere album recorded during a time of great turmoil for Neil Young. It is an album that is hard to even analyze sometimes given the disparity of feelings about the record between Neil and his audience. Do you want to talk about an obscure piece of rock n’ roll history? Let’s talk Time Fades Away.

Time Fades Away was Neil Young’s first ever live album that was recorded during his massive 1973 tour that included somewhere in excess of 60 shows over three months.  The Stray Gators served as his backup during this tour in place of Crazy Horse. The album is one of the three albums that are included in Neil’s “ditch trilogy” which also includes Tonight’s The Night and On The Beach and is considered, in addition to the other two, one of the most significant Neil Young albums ever made.

While the album was originally released in 1973 it was never reissued onto CD due to Neil’s feelings towards in and probably more importantly towards the unpleasant experience of that 1973 tour. This was the very same tour that followed the death of Crazy Horse guitarist and Neil’s friend Danny Whitten. He ended up overdosing on valium the very night after Neil fired him from the tour due to his instability. God only knows how deeply that affected Neil on this incredibly stressful tour.

In addition to the passing of Danny there was turmoil among the band members during the tour that resulted from money disputes and many other various disagreements and incidents. The result of this overwhelming negative experience for Neil was the shunning of Time Fades Away; I believe he even went as far as to call it his worst album ever at some point. In contrast to Neil’s feelings towards the album I can tell you that the critics and more importantly his die-hard fans cherish it as one of the best and most overlooked Neil Young albums of all time.

Time Fades Away is a truly classic rock n’ roll album. Through the eight songs on the album we get a little of every style of Neil Young. From the upbeat rockabilly swing of Time Fades Away to the classic hard rock sound of Last Dance this is an awesome showcase of original Neil Young live tracks. Love In Mind is a highlight here and features Neil solo on piano. The song is short, intimate and you can just picture Neil sitting up on the stage playing piano under the spotlight. Don’t Be Denied is a steel guitar laced country rock jam that tells a short story of Neil’s youth to his success as a musician and the business of it all. “Well, all that glitters isn’t gold, I know you’ve heard that story told, and I’m a pauper in a naked disguise, a millionaire through a business man’s eyes, oh friend of mine, don’t be denied.”

There may be only eight songs on this album but there is no bullshit here. Each and every song is a gem. There exists way too much history and lore behind this album to talk about in a few short paragraphs but I encourage all who are interested to go read about it and more importantly to listen to it! The good news for all of us is that while this album may have fallen into the abyss for a period of time it has since been released in digital format for all to enjoy. Time Fades Away is a highly regarded anomaly among Neil Young fans and critics. While Neil himself may have mixed feelings about the album and tour I hope that he can find solace in the fact that Time Fades Away is still, to this day, bringing a lot of joy and entertainment to his fans all over the world.

See you next week.

DAMN. – Kendrick Lamar

Rap

Damn… I could probably end my review right there. I actually thought about doing that. The fact is that this album is just too damn good to not write about. What we have here is one of the best rap albums of our time. It’s crazy that I can say that after a mere five days post-release. The question remains, can we really expect anything less from Kendrick Lamar nowadays?

Just like his past releases Kendrick conveys many powerful messages throughout this record. Through the 14 tracks on the album Kendrick touches on concepts including self-respect, love, bigotry, religion, faith, politics, power, evil, weakness and the list goes on. As per usual he does so in an incredibly impactful way. Many songs on this album are more profound than they appear on the surface.

There is also a ton of subtext here. Already the internet is crawling with people hypostasizing and theorizing over hidden meanings and messages. There was even a crazy popular theory involving Kendrick, Jesus, and the surprise release of a second album on Easter Sunday. Yea…

The production on this album is second to none. The beats are rich and original while still maintaining a raw and authentic sound. It’s impossible not to get hyped up when listing to the hard and aggressive (but yet so humbling!) track HUMBLE.; it’s hard to resist the laid-back and tranquil rhythm to YAH.; and if the euphoric beat for LOVE. doesn’t put you in a good place I don’t know what will. The quality of DAMN.’s production is a credit to its long list of talent on that end. The album boasts a robust production crew including Top Dawg, The Alchemist, 9th Wonder, Mike Will Made It, the mysterious Bēkon and many more. The album is absolutely littered with talent none more important than Kendrick himself.

The first track BLOOD. starts off with a skit featuring Kendrick narrating his own death at the hands of a blind women he is trying to assist. The skit is laced with a spaghetti western-esque melody and successfully sets the tone for the album while introducing some core themes. The track and its subsequent song DNA. both feature audio clips from Fox News anchors (including Geraldo Rivera) bluntly criticizing some of Kendrick Lamar’s past lyrics which targeted police brutality towards African Americans. The song DNA. is a strong rebuttal to these personal attacks. In it Kendrick reaffirms who he is, where he comes from, and scorns those who would criticize him, especially those from outside his community.

In ELEMENT. Kendrick highlights the core theme of the album: Kendrick Lamar is the best rapper in the game. It’s not as much a boastful song as it is an affirmation of his dedication to rap. Lyrics include “I’m willin’ to die for this shit, I done cried for this shit, might take a life for this shit, put the Bible down and go eye for an eye for this shit.” This is one of my favorite songs on the album both lyrically and melodically and the chorus is absolutely amazing.

In PRIDE. Kendrick touches on his own imperfections and the relationship between his overwhelming success and his moral compass. “See, in a perfect world, I’ll choose faith over riches, I’ll choose work over bitches, I’ll make schools out of prison, I’ll take all the religions and put ’em all in one service, Just to tell ’em we ain’t shit, but he’s been perfect, world.”

HUMBLE. was everyone’s first glimpse of this album and a mighty one at that. Kendrick takes shots at some of his competition and further reaffirms his place at the table. Bitch sit down, be humble! LUST. is another one of my favorites here. In it Kendrick touches on the day to day life of a famous rapper. It’s filled with lustful desires, anxiety, and repetition. The song is deep, introspective, engaging and the melody is enticing.

In XXX. Kendrick struggles with his own integrity along with that of America’s. The song compares Kendrick’s own principles to America’s as a whole. The lyrics on this track are truly some of the best on the record. The song also features the rock group U2 to many peoples initial surprise but this makes a lot of sense given the politically charged nature of the song and U2’s history of highlighting social themes in their own music.

The last song I would like to discuss is the finale of the album DUCKWORTH. Man this song is crazy. This song tells the real life story of how Anthony “Top Dawg” Tiffith (the chief exec of TDE) almost killed Kendrick’s own father years before they would ever meet. The story highlights how one coincidental mistake almost changed history and would have prevented TDE from forming and Kendrick from ever rapping. I love how Kendrick wraps this album up through the telling of such an incredible story.

I could keep writing about this album if I wanted to. Seriously, I could write about every damn song. The only reason I won’t is because I have to go listen to the album again. Trust me when I say that if you are a fan of rap in any shape or form this album will blow you away. It’s really just the level of quality we have come to expect from Kendrick Lamar. I already can’t wait to see what comes next.

See you next week.

 

 

Pure Comedy – Father John Misty

Indie Folk

Last week Father John Misty released his newest LP entitled Pure Comedy. Father John Misty fans (including most of my friends and I) have been eagerly waiting for this release since 2015’s I Love You, Honeybear. It should be noted that while I am eager to write about this album this week I have only listened to it a few times at this point. While the album is still settling in for me I have to say that I really like it so far. FJM continues to produce great work.

My initial impression is that this album as a whole is very much a continuation of the style we saw in the song Bored in the USA (track 9 of I Love You, Honeybear) almost as if that song was a primer for this album. We see a continuation of the slower pace ballads accompanied by piano, guitar, Tillman’s outstanding vocals and cynical and satirical personality. It’s this persona that FJM fans have watched develop over the past years that sets his music apart. It may sound drab but honestly it’s entertaining as hell.

This is FJM’s biggest project yet racking in at 13 songs and 1hr and 14min. The pace of this album is quite a bit slower than his past releases and, as my cousin pointed out, some of the songs tend to blend together upon first listen. This being said, don’t leave with the impression that the songs are not varied or unique, it’s just that there is an overall tempo to this album that holds firm. The one exception to this would be the track Total Entertainment Forever which is more upbeat.

The album opens with the self-titled Pure Comedy and this song is a great intro to the album. The song exemplifies FJM’s persona perfectly by delivering a twisted view of humanity over piano and drums. Total Entertainment Forever is next and is the very song that was the subject of scrutiny after FJM’s appearance on SNL. The song opens with the controversial lyrics “bedding Taylor Swift every night inside the Oculus Rift, after mister and the missus finish dinner and the dishes” of course referring to having virtual sex with Taylor Swift using the virtual reality platform Oculus Rift. This song is upbeat, features great instrumentals including saxophone and is currently my favorite song off the album.

One song that I did not hear until release was A Bigger Paper Bag. This song has been growing on me and is creeping towards the top of the ranks for my favorite songs off the album. Ballad of a Dying Man is maybe the most interesting song here. This song tells the story of an old dying man that remains analytical and critical of people up until his very last breath. We also have Leaving LA which is a mammoth thirteen minute and twelve second song that critiques “LA hipsters and their bullshit bands” (lyrics changed from Pitchfork bands on the album release for some reason) among many other entertaining points.

I feel that this FJM album was worth the wait. Sure the album is a bit different than his prior releases (mainly in the consistent downtempo pace and critical tone) but I really feel that through his lyrics and music Tillman is giving us his most honest FJM yet. How do I think this album stacks up against his other releases? Ask me in a few months and I’ll tell you. Is this album worth your time? Yes it is.

See you next week.

The Phosphorescent Blues – Punch Brothers

Progressive Bluegrass

This week I would like to highlight one of the most recent additions to my list of favorite albums. This band also happens to include of my most respected musicians of all time Chris Thile. The Phosphorescent Blues by Punch Brothers is an amazing achievement in the modern Progressive Bluegrass scene and should not be overlooked. Seriously, I am not exaggerating.

I would assume that most people reading this right now are thinking what the hell is progressive bluegrass? Well, the answer is that there is no real set-in-stone definition. The best way to describe progressive bluegrass is as a modern subgroup or subgenre of traditional bluegrass music that has the liberty of adding instruments and incorporating styles that traditional bluegrass would not. Please don’t be intimidated by the bluegrass designation; many people who are fans of folk or rock music will find this music easy to approach.

Most of you who are familiar with the traditional bluegrass format would expect to see an acoustic banjo, mandolin, guitar, fiddle (violin), upright bass, and sometimes a dobro. What is interesting about modern variations of bluegrass music is that you will often hear electric instruments, drums, and incorporated style elements of folk and rock music. This allows the musicians a little more creative freedom and flexibility. In addition to Punch Brothers you may already know some other progressive bluegrass groups such as Greensky Bluegrass, Trampled by Turtles, and Yonder Mountain Sting Band to name a few.

Now that the lecture is over I will try and get back on topic! The Phosphorescent Blues is an admirably complex and beautiful addition to the modern bluegrass catalog. It is easy to hear that each musician in Punch Brothers is a master of their respective instruments. This is certainly true of Chris Thile who is known as one of the best (many feel the best) mandolin players alive (see Chris Thile Plays Bach: Sonata No, 1 in G Minor on Youtube). As an amateur mandolin player I not only have a tremendous amount of respect for his approach to the mandolin but also his success in bringing notoriety to the instrument in modern times. Chris also plays the part of lead vocals and does so very well.

I feel like I have already said a lot so I will avoid a track-by-track here. This being said I encourage you to give this album a shot. As I mentioned, this album is one of my current favorites and may become one of yours as well. Some of my favorite tracks include: My Oh My, Julep, Magnet, Little Lights, and the ten minute and twenty three second opener Familiarity. I should also note that the video that I posted for My Oh My (my favorite song off the album) is not the record version but instead the version with Chris Thile from The Late Show. I feel that it is an excellent live rendition. I hope you enjoy it.

See you next week.

Hot Thoughts – Spoon

Indie Rock

This week I would like to switch things up a little bit and focus on a new release. The week before last Spoon welcomed the newest addition to their catalog with the release of Hot Thoughts. At this point most spoon fans would not expect the band to deviate much from their well-established formula that has been so successful for them to date. Spoon is one of those bands that has their comfort zone and succeeds very well when staying close to it. This being said, Hot Thoughts deviates from the formula just enough to keep things interesting without risking turning off their longtime fans.

With Hot Thoughts Britt Daniel and the boys experiment a bit more with electronic elements and diverse instrumentals to keep things interesting while maintaining their signature sound. Don’t worry, this is not a deviation similar to The Black Keys with the release of Fever, it’s more proportionate. As a spoon fan I really dig what they did here.

Through most of the album you will hear Britt Daniel’s as-good-as-ever vocals over fun and interesting rhythms that sound both familiar and new. In between you will also find some breaks in the upbeat tempo with songs like Pink Up and the eerie finale Us.  Just when you think that you are in familiar territory the Austin outfit mixes things up with something original. You can hear this in songs like Can I Sit Next to You which starts out with a recognizable Spoon beat and transforms into an alluring Arabian melody. The song is funky, enticing, and just a lot of fun overall.

Other noteworthy songs on Hot Thoughts include the self-titled Hot Thoughts, I Ain’t the One, the danceable track First Caress, and one of my new favorite Spoon tracks Tear it Down. Again, like most albums you will see me post here, this is a great album to listen to from front to back. Do I have to talk you in to it?

See you next week.

The Definitive Collection – J.J. Cale

Classic Rock / Blues

If you continue to read my blog there is a good chance you will not see me post another collection or “best of” album for a long time. I am just not big on them. They are so often hit or miss. Many best of albums pick all of the most popular hits from the artists library and put them all together on one disc while leaving out some truly great songs that may be equally (or more) deserving. All of this being said I could not resist posting about J.J. Cale’s 1997 album The Definitive Collection which successfully focuses on his best work. This is a collection album that really deserves to be listened to.

Many of you may already know at least two of Cale’s songs on this collection; Cocaine and After Midnight which were both famously covered and popularized by Eric Clapton. Aside from these two familiars there are so many other songs to love on this 20 song, one hour album.

This album truly highlights Cale’s one of a kind rock/blues/Americana/country (with a touch of Cajun!) sound that has since been known as Tulsa Sound after Cale’s hometown of Tulsa, Oklahoma. Much of Clapton’s music is also categorized as Tulsa Sound. Additionally, the two artists had very intertwined careers both through influencing each other and recording quite a bit of music together including the Grammy award winning 2006 album The Road to Escondido.

I usually post two songs at the end of my write-up here for you to listen to and I have to say that choosing the songs this week was not easy; there are so many gems here. I will not post Cocaine or After Midnight because so many of you are already familiar with those songs. I will tell you that some of my personal favorites besides Cocaine and After Midnight include Magnolia, Lies, Cajun Moon, I’ll Make Love to You Anytime, and Mama Don’t. One puzzling omission on this album is Cale’s Traveling Light which is one of his best songs and was later covered and further popularized by Widespread Panic. With all of the quality music here I think I can forgive them for that!

See you next week.

Man It Feels Like Space Again – Pond

Psychedelic Rock

If there is one thing I know about the Australian music scene is that there is no shortage of quality psychedelic rock acts emerging from the country. With notable groups such as Tame Impala, King Gizzard & the Lizard Wizard, and newbies The Walking Who there are plenty of psychedelic gems to enjoy from down under. Pond is no exception.

Pond, formed in 2008, features a rotating lineup including many members of Tame Impala itself including Jay Watson and Nick Allbrook. Those who enjoy the music of Tame Impala will easily be able to hear the bands influence on Pond’s 2015 release Man It Feels Like Space Again. I have to say this is one of my favorite releases to come out of the Australian psychedelic music scene to date.

Pond is a fun band. They seem to take themselves less seriously than their counterpart Tame Impala and have a bit more fun in the process. This is apparent when watching their music videos including the Jim Henson on blotter video for my favorite song off the album, Man It Feels Like Space Again and the hotdog belt tapping video for Zond (don’t ask, just watch). Even the album cover is fun!

Most importantly, the music is great. Most songs have multiple segments and progressively evolve as you listen in true psychedelic form. Additionally, the songs are multi-layered with great instrumentals. This makes for a great listening experience overall. I have found that this is a great album to listen to on high quality speakers.

I won’t do a song by song rundown here but I encourage you to listen to the whole album because there is quite a bit to enjoy. I will say that some of my favorites off Man It Feels Like Space Again include the self-titled Man It Feels Like Space Again, the opener Waiting Around for Grace, and the funky Outside is The Right Side where the Tame Impala influence can be heard loud and clear.

Pond’s Man It Feels Like Space Again is not only a great edition to the Australian psychedelic rock catalog but also an amusing album to listen to. Watch the ridiculous YouTube music videos, listen to the album in the car after a long day’s work, or throw it on with some friends over. Regardless, one thing that I can tell you is that if you enjoy this type of music, this one will grow on you.

See you next week.