4th of July – Carl Broemel

Indie Folk/Indie Rock

If albums were seasons Carl Broemel’s 4th of July would be summer. This album is a great candidate for your sitting by the pool, relaxing, drinking a beer chill-out album of the summer this year. While the holiday weekend may be a bit off I thought this would be a great album to write about on this beautiful Memorial Day weekend. Carl Bromel’s 4th of July is a stunning album that you may have missed last year and should be added to your summer song playlist immediately.

When most people hear the name My Morning Jacket they may be reminded of frontman Jim James. This is for a good reason given Jim’s adept vocal and instrumental ability. This being said, lead guitarist and multi-instrumentalist Carl Broemel is easily one of the most talented people on MMJ’s roster and the rock scene as a whole nowadays. Upon listening to Carl’s solo work it is easy to hear his large influence and contribution to MMJ’s music. Carl’s solo work strays from MMJ’s and favors a laid back folk approach that features Carl’s instrumental abilities in a large way.

4th of July is the third solo release from the Indianapolis born, Louisville based musician. Unlike many musicians in today’s musical landscape Carl is classically trained and proficient not only on guitar but also saxophone and pedal steel among other instruments. Carl’s broad ranging instrumental skills can be heard loud and clear on 4th of July even if they are not the most excited renditions we are used to hearing on the MMJ records.

4th of July is reminiscent of a summertime daydream and can be that perfect album to help you detach from any stress in life that may be plaguing you. After all, the album does start with a track entitled Sleepy Lagoon. The album is fairly short with only eight tracks although two of which do exceed the seven minute mark.

The title track 4th of July is a main attraction on the album and is also the longest spanning over ten minutes in length. The track is dreamy and detached and is the one song on the album that highlights Carl’s instrumental approach the best. The track starts off as relaxed as most on the album but quickly transforms into something more engaging and eventually tapers off slowly with Carl’s mystifying guitar work. This track will remind you of Carl’s influence on MMJ’s sound with its similarly entrancing sound.

One of my personal favorites off 4th is Rockingchair Dancer a four minute drifting berceuse who’s lyrics discuss the realities of aging. Try not to fall asleep but if you do it will be a nice way to drift off. Lyrically the track Snowflake is the highlight off the record. The lyrics are innocent and features lines such as Every raindrop’s the same, you’re no snowflake. It’s a nice and simple song and sometimes that is welcome on a relaxing day.

I highly recommend giving Carl Broemel’s 4th of July a listen. For those of you who are looking for an unwinding album for the summer months look no further than 4th of July. Carl is a main contributor to the big sound of My Morning Jacket and that is easy to hear in his solo work. From exciting guitar solos to mystifying saxophone to country pedal steel melodies there is a lot to like about Carl Broemel’s musical ability. My only request is that on his next release we get a longer record. I could use another four tracks in addition to the existing eight on this record. Carl should take that as a compliment!

See you next week.

Cornell 5/8/77 – Grateful Dead

Jam Band/Classic Rock

The Grateful Dead played thousands of shows over their decade’s long tenure on tour; many of which were recorded. It is almost hard to believe that with such a massive library of recordings one show could stand out so blatantly above the rest. Yet there is one show that is regarded as legendary among deadheads all over the world. One show described as the pentacle performance by those lucky enough to be there and as nothing less than a pristine recording for those who were not. This show was Cornell 5/8/77.

It was this very week 40 years ago that this concert was played in Barton Hall at Cornell University in Ithaca, NY. I could almost imagine the crowd funneling into Barton Hall that night; cool and breezy, temperatures in the low 50s; blissfully unaware that they were about to see the very show that deadheads would not stop talking about for the next 40+ years. So what makes this show so special you might ask? Why all the fantasizing about hippies in Ithaca anyway? Well, from where I stand, it was a combination of multiple factors that night; a Grateful Dead perfect storm of sorts.

See, I was not actually there. Nor was I even alive… But I am here to talk about the record and that is something that I am more than happy to do. As an avid fan of the Grateful Dead and their many live recordings I can tell you that this record is not just hype. I could tell how special this performance was during my very first listen. In fact, this recording was so special that it has even been included in the National Recording Registry of the Library of Congress.

The overall sound quality of this recording is a cut above the rest. With the varying level of quality that exists among the many live recordings this one really stands out. The instruments sound clear and distinguished, the vocals are well balanced and blend properly, and the whole thing sounds so professionally mixed you would think this was a planned official release recording. Indeed it was not. This show became famous just as many other Dead shows did; through hand-to-hand circulation; recorded off the soundboard.

What is even more important than the quality of the recording is the Dead’s energy that night. You can hear it in the music. Not only are some of the songs more up-tempo than I am used to hearing but they are played with such conviction. The Grateful Dead was switched on that night. It is almost hard to explain but you can very well hear it in the music. Here you have the Grateful Dead in pure form.

The setlist for this show was a recipe for success. The first set skipped the extended jams for the most part instead favoring a long list of classic Dead songs. The set started with New Mingelwood Blues and included songs the likes of Loser, Jack Straw, Deal, Brown Eyed Women, Mama Tried and the eleven minute finale Row Jimmy. Most of the songs on set one are some of the best respective versions that I have personally heard.

Set two starts off with one hell of a bang with the sixteen and a half minute Dancing in the Streets. This song features such an electric jam that it is easily one of my favorites of the whole show. I have heard Dancing in the Streets on other GD recordings but never quite like this. Set two continues with Scarlet Begonias, Fire on the Mountain, and Estimated Prophet. Need I say more?

Set three is the grand finale and graces us with spectacular versions of St. Stephen, Not Fade Away, Moring Dew, and One More Saturday Night as the closer. I have to say that the St. Stephen and Morning Dew really stand out as key pieces on this recording. Set three would not be the same without them.

Well folks there you have it; my short blurb on the legendary 5/8/77 show. If you really want to sponge up the lore and mysticism behind this show go type it in google. You will have plenty of reading to do. I am always grateful for the plethora of Dead recordings that exist out there (yes, I just did that…). I love listening in for the variations, perfections, and imperfections from show to show. Each era of the Dead has a different story to tell through these recordings. Just go ask someone who was there; they will be happy to tell you all about it. Until then be sure to check out the 5/8 recording. You won’t be sorry.

See you next week.

Man It Feels Like Space Again – Pond

Psychedelic Rock

If there is one thing I know about the Australian music scene is that there is no shortage of quality psychedelic rock acts emerging from the country. With notable groups such as Tame Impala, King Gizzard & the Lizard Wizard, and newbies The Walking Who there are plenty of psychedelic gems to enjoy from down under. Pond is no exception.

Pond, formed in 2008, features a rotating lineup including many members of Tame Impala itself including Jay Watson and Nick Allbrook. Those who enjoy the music of Tame Impala will easily be able to hear the bands influence on Pond’s 2015 release Man It Feels Like Space Again. I have to say this is one of my favorite releases to come out of the Australian psychedelic music scene to date.

Pond is a fun band. They seem to take themselves less seriously than their counterpart Tame Impala and have a bit more fun in the process. This is apparent when watching their music videos including the Jim Henson on blotter video for my favorite song off the album, Man It Feels Like Space Again and the hotdog belt tapping video for Zond (don’t ask, just watch). Even the album cover is fun!

Most importantly, the music is great. Most songs have multiple segments and progressively evolve as you listen in true psychedelic form. Additionally, the songs are multi-layered with great instrumentals. This makes for a great listening experience overall. I have found that this is a great album to listen to on high quality speakers.

I won’t do a song by song rundown here but I encourage you to listen to the whole album because there is quite a bit to enjoy. I will say that some of my favorites off Man It Feels Like Space Again include the self-titled Man It Feels Like Space Again, the opener Waiting Around for Grace, and the funky Outside is The Right Side where the Tame Impala influence can be heard loud and clear.

Pond’s Man It Feels Like Space Again is not only a great edition to the Australian psychedelic rock catalog but also an amusing album to listen to. Watch the ridiculous YouTube music videos, listen to the album in the car after a long day’s work, or throw it on with some friends over. Regardless, one thing that I can tell you is that if you enjoy this type of music, this one will grow on you.

See you next week.